[149] Kate Bush – The Kick Inside

19 Feb

Oh, that voice.  It has always been present in my life, and it has always done something to me.

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Kate Bush had a powerful effect on the boys of my generation.  Even into our 40s, my friends and I still find ourselves captivated by a Kate Bush video, a potent combination of hormones and nostalgia ensuring our complete attention.

Kate Bush was certainly a part of my childhood, her singles playing on the radio, on Top Of The Pops, on early MTV.  But The Kick Inside came out just a little too early for it to have had a great influence on my musical education – indeed I believe it was the only Kate Bush album I was not thoroughly familiar with before exploring it for the blog.  The Hounds of Love is likely my favorite, although The Red Shoes and the wonderful compilation, The Whole Story, certainly received more play over the years.

And when I was ready, finally prepared to really engage with the themes and emotions explored by Kate Bush, it was Tori Amos’ Little Earthquakes which opened my eyes, blew my mind, shaped my world.

While I was pleased to see Kate Bush on om Moon’s list, it always bothers me that it appears that she makes the cut at the expense of Tori Amos – the only mention of Tori in the hundreds and hundreds of pages of the book is as a “Next Stop” footnote to The Kick Inside.

I understand Tori claims never to have heard Kate before recording her debut album, but whether or not you believe that has little to do with the powerful effect of her raw yet still cultured musicality.

While I have little doubt that a Kate Bush album makes my top 1,000, Tori Amos makes my top 100 at the very least.

After taking this opportunity to rant at what appears to me a near unforgivable omission, I return to the album and the artist of the day, and find that I have many vivid and varied memories of listening to Kate Bush:

– My first love (long ago and far away away) once included “The Man With The Child In His Eyes” on a mix tape for me, as I was flying away from her, perhaps forever.  Twenty years later the song still has the power to make me blush and smile and sigh.

– I liked “Wuthering Heights” from the first time I heard it, on the radio back when I still listened to the radio, but it wasn’t until I studied the novel in High School – I devoured it while home sick one week, getting a jump on the assigned reading – that the true genius of the composition was revealed.  It sounds like the book reads, lyrical and awkward and cold.  The song always reminds me of my warm, dusty, dizzy teenaged sickbed.

– As an older teen, I would often sleepover with a couple of friends on Saturday nights, and after a few drinks, The Hounds of Love would be one of a small roster of records which would play once the lights were out and we could concentrate on the pure music on the way to sleep.  We were all terrified by the shrieking musical gymnastics of “Waking The Witch” and this fear was a delicious part of the ritual.  The strings still drag shivers down my spine today.

– I can’t hear her Christmas single, “December Will Be Magic Again” without  recalling one of my most favorite misheard lyrics:  instead of “I’ve come to sparkle the dark up” (a wonderful line in its own right), I initially heard, as did other friends, “I’ve discovered a Womble . . .”

But enough asides!  What about The Kick Inside?

The vocals are appropriately haunting and powerful, palpably intelligent and moving, every word enunciated beyond clarity, often distorted or affected in order to achieve the perfect tone.  And the lyrics are equally innovative and memorable.

Famous for her ballads, it is Bush’s uptempos which always surprise me, with her exquisitely complex rhythms, odd percussion and staccato delivery across an absurd number of octaves.  The instrumentation is all so unusual for Pop, yet perfect for the mood and timbre Bush is reaching for with each delightful track.

Once more my love of all things sax is fully indulged, with solos and flourishes, and even a song named for the instrument.

Since The Kick Inside does not sound like anything else of its time, it has aged very well – it is timeless rather than dated, not tied to the Disco or Rock sounds so associated with the popular music of 1978.

And who knows – without The Kick Inside, perhaps I never have the opportunity to hear Little Earthquakes, Into The Pink, Boys For Pele and beyond.

Next Week: William Byrd – Harpsichord Music

Owned before blogging? No.  (12 of 149 = 8%)
Heard before blogging? Yes.  (21 of 149 = 14%)
Recommend? Yes. (124 of 149 = 83%)

Kate Bush, Pop, 1970s, UK, Recommended, Memories

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