[154] Uri Caine – Urlicht/Primal Light

25 Mar

Klezmer or Classical?  Jazz or German?  Secular, Religious, or just a hot mess?  This is one of the most wide-ranging, eclectic, schizophrenic albums I have ever heard, and I think I like it.

caine-uri-154-l

It’s all over the place, with sections of Free Jazz chaos prompting people to ask me to turn it off, and others of haunting vocal chants which inspire people to ask me to turn it up, followed by  hectic accordions and showbiz piano sections keeping me and everyone else who hears it on their toes.

Somehow it is all tied together – presumably by the guiding mind behind each changed (at times tortured) composition, Gustav Mahler.  I’ll never know for sure, though, as don’t think I would recognize “a piece of Mahler’s” outside of this decidedly non-traditional setting.

The big brassy horns are reminiscent of so much of the Jazz – both experimental and traditional – I’ve been enjoying over the last 3 years.  The piano and drum solos are a pleasant and unexpected diversion.  But is the shift of gears into whirling Klezmer and later the familiar strains of Cantors praying – at times accompanied by crazy syncopated rhythms – which ensures my attention is constantly returning to this vast and varied soundscape.

I’m curious to hear the original, untainted Mahler pieces.  But not interested enough to actually, you you, seek it out and listen to it.  It appears to be the mystery as much as anything that I am drawn to.

Yes, there are moments where it sounds like the 14 piece band happened to be tuning up while the mic was live.  No, there really isn’t a cohesive sound on display.  But I don’t care.

I kind of love it.

Next Week:  Camaron De La Isla – Le Leyenda Del Tiempo

Owned before blogging? No.  (12 of 154 = 8%)
Heard before blogging? No.  (21 of 154 = 14%)
Recommend? Yes. (129 of 154 = 84%)

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