[169] Johnny Cash – At Folsom Prison

18 Mar

Well, this one takes me back.

169 cash folsom

When I was a kid, my Mom, Dad, brother and I would regularly take road trips from the suburbia a couple of hours outside of London to the suburbia immediately outside of the city proper to visit with the extended family that stayed put when my Grandma and Grandpa moved to “the back of beyond” in the ’50s.  And on those road trips my folks would always play one of the same four cassette tapes:  an Elaine Page collection, a Lloyd-Webber cast recording, an album by Israeli folk singer Topol, or Johnny Cash’s Greatest Hits.

It turns out that my Dad is a big Cash fan.

So I’ve known and loved these songs since before I had long hair, before I could choose my own soundtrack.  It’s probably fair to say that, however subliminally, “The Man in Black” helped to form my fashion sense, and predisposed me to gravitate towards outlaws and rebels, at least sonically.

At Folsom Prison is an album I have owned and listed to for years, perhaps decades, although I can’t actually recall the last time I hit play on it before revisiting those road trips for the 1,000.  And the sense memory of sitting in the back of our red Toyota Cressida, singing along especially to the comedy songs “One Piece At A Time”, “The One On The Left”, and “A Boy Named Sue” is immediate, and almost overwhelming.  The deeper-than-deep voice which still somehow finds range for melody, the inviolable boom-chikka rhythm of guitar and drum, the lyrical wordplay, the moments of laughter, the connection to the listener.  They are all immediately remembered, and immensely comforting.

The selection of tracks on this live recording is fascinating. There are the prison songs “Cocaine Blues”, “25 Minutes To Go”, and of course the track which brought the performer to this particular venue.  There are the traditional mournful sounds of “Green, Green Grass Of Home” and “Send A Picture Of Mother.”  There is the silliness of “Dirty Old Egg-Suckin’ Dog” and “Flushed From The Bathroom Of Your Heart.”  And there is the precise fire of the duet with June Carter, “Jackson”, perhaps my favorite song on the album.

Cash giggles his way through a number of tracks, teasing the inmates about not laughing during the songs since they are recording, so he “can’t say hell or [exletive deleted].”  His relaxed banter is as much a part of his persona as the songs, the image.  And the album is occasionally interrupted by announcements from the warden, making this a singular experience.

Listening to the range of 16 songs across 45 minutes I am as ever struck by the wide variety of styles that Cash perfects, how the raw warts and all recording elevates the whole, and how many signature songs are still missing.  Listening to At Folsom Prison makes me want to listen to a lot more Cash.

Could there be a better recommendation to listen to an album?

Next Time:  Johnny Cash – American Recordings

Owned before blogging? Yes (13 of 169 = 8%)
Heard before blogging? Yes (22 of 169 = 13%)
Recommend? Yes (141 of 169 = 83%)

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