Tag Archives: Enrico Caruso

[165] Enrico Caruso – 21 Arias

1 Jan

Here it is, folks. The recording that killed my desire to keep blogging for more than three years.

165 caruso

A name so huge, singing music so immense, that I couldn’t fathom why it was leaving absolutely no impression on me. Was I tired of the weekly deadlines? Did I not like classical vocals as much as I thought I did? Did I just run out of time?

Four years ago I was in the thick of a Masters degree. Three years ago I took on a new improved role at work. Two years ago my daughter, now 10, hit an age where we could play the kind of boardgames together that I love to play.  It seems, in hindsight, that something had to give, and 1,000 Recordings was it.

So are we still blaming Caruso?

Caruso is certainly not the reason I am coming back to the blog. I’m writing again, at least, I want to be writing again. I had an agent request a query and the first 50 pages of My Messy And Magnificent SciFi Thing (working title) and realized that the most recent polish was another thing that fell by the wayside a couple of years back. Flexing my writing muscles on a weekly basis can only be a positive thing. And while I was thinking that I should start writing again I ran across a CD, bought more than two years ago in anticipation of reviewing it for the blog: Ray Charles – Modern Sounds In Country and Western Music.

I realize I still want to discover it.

Not just listen to it. I want to hear it, examine it, explore it and share it. And a peek at other albums upcoming reveal favorites like Johnny Cash and Tracy Chapman, as well as names I feel I should know more about, like Neko Case. And to get to them I have to get through a few hundred words on Caruso.

I queue up 21 Arias on my ubiquitous Spotify app and hit play.

The recording quality is . . . strange. Caruso sang over a century ago and these recordings were originally made on wax. They have been remastered and restored, and the result is a sound that is more modern than it should be, yet still ever-so slightly off to the contemporary ear. I believe that, in part, it was this juxtaposition which initially put off my tired ear.

The arrangements are beautiful, the singing pleasing, and many of the songs are ingrained into my pop culture consciousness. But even as a vocalist, it is not clear to me why Caruso is considered the best ever. He can belt, he has enormous range, and there is emotion, at least in an operatic, melodramatic sense. So, as I realize I have said before during the course of this endeavor, the recordings make me wish I could watch the performance in context, could see the action and follow the story.

That said, I am no longer left with the feeling of nothingness which led to my hiatus. I let the music play, again and again, and it washes over me in warm waves. I am engaged, listening, thinking about what I am hearing, and it was this sensation I had lost when last I heard these tunes. I am once again eager to be immersed in sounds outside of my everyday, to hear something absolutely different to the 90s rock and 80s pop, with the occasional shining gem of new music (often by one of those 80s or 90s artists I so gravitate towards) that I quickly and comfortably default to.

Caruso is never going to be a favorite of mine, but I am glad to have given him a second chance, to spend a week or so with him, and to share my thoughts with you. For these reasons, I return to 1,000 Recordings to endorse Tom Moon’s recommendation, relieved and excited to be back in the saddle again.

Next Time: Pablo Casals – Bach: Cello Suites Vols. 1 & 2

Owned before blogging? No. (12 of 165 = 7%)
Heard before blogging? No. (21 of 165 = 13%)
Recommend? Yes. (138 of 165 = 84%)

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