Tag Archives: Harold Pinter

[162] Elliott Carter – Symphonia

20 May

Symphonia is a conversation between the various instruments which is difficult to comprehend but impossible to ignore.

carter-elliott-161-l

It is clear that there is an energetic and fascinating debate going on here, which happens to be in a language that the listener does not speak.  This in no way detracts from the enjoyment of the bright and inventive piece.

As that listener I sit back and enjoy the discussion, wondering what the topic might be, grinning as one performer or another scores a telling point.

I find myself in the same mental state that I visit when watching some of my very favorite plays by Harold Pinter or Samuel Beckett.  The call and response, the back and forth has that same wonderful rhythm as well as the absurd yet aesthetically pleasing meaninglessness which somehow sounds important or profound.

All that is missing is Beckett’s philosophizing and Pinter’s vulgarity . . .

[Long pause.]

I am reminded once again at the universal nature of music, especially instrumental music – how it is used to communicate feeling, idea, occasion.  Even when, as here, it is not understood intellectually it can still be felt viscerally, intuitively.

In instrumentation and execution, this Modern Classical piece is at times indistinguishable from experiential Jazz.  For some reason this pleases me greatly.

Next Week:  Martin Carthy with Dave Swarbrick – Byker Hill

Owned before blogging? No.  (12 of 162 = 7%)
Heard before blogging? No.  (21 of 162 = 13%)
Recommend? Yes. (136 of 162 = 84%)

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